accent à droite, bitch
Serena, 19. Cinema, literature, and art are my favorite things.

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vuls:

Tokyo Blue, photo book by Romain Slocombe 

vuls:

Tokyo Blue, photo book by Romain Slocombe 

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anthonyedwardstarks:

During rehearsals, Brad Pitt and Edward Norton found out that they both hated the new Volkswagen Beetle with a passion, and for the scene where Tyler and The Narrator are hitting cars with baseball bats, Pitt and Norton insisted that one of the cars be a Beetle. As Norton explains on the DVD commentary, he hates the car because the Beetle was one of the primary symbols of 60s youth culture and freedom. However, the youth of the 60s had become the corporate bosses of the 90s, and had repackaged the symbol of their own youth, selling it to the youth of another generation as if it didn’t mean anything. Both Norton and Pitt felt that this kind of corporate selling out was exactly what the film was railing against, hence the inclusion of the car; “It’s a perfect example of the Baby Boomer generation marketing its youth culture to us. As if our happiness is going to come by buying the symbol of their youth movement, even with the little flower holder in the plastic molding. It’s appalling to me. I hate it.” 

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softwaring:

Sunrise over Towers of Paine
Patagonia, Chile
Frances Kwok

softwaring:

Sunrise over Towers of Paine

Patagonia, Chile

Frances Kwok

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Uma Thurman in Quentin Tarantino’s ‘Pulp Fiction’, 1994.
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Jennifer Connelly in Requiem for a Dream (2000).

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hottrampinthecity:

Cole Mohr for ALLSAINTS

swoon, swoon, dreamboat, swoon.

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S